Case ( 26 / 36 )
Walk the set before anyone builds it.
Film and television crews make hundreds of decisions before the camera rolls — where the walls sit, how the light falls, where performers move and where the camera travels. Scene Vision brings those decisions into one shared spatial workspace.
We designed and built web and VR prototypes that allow directors, production designers and cinematographers to construct virtual sets, explore them at full scale and test cameras, lenses, lighting and blocking together.
A command-centre view keeps the entire production visible, while immersive mode places collaborators inside the scene from the perspective of the camera or performer. Teams can compare coverage, explore locations and adjust ideas before physical production makes every change expensive.
The wider product vision connects script interpretation, location scouting, set design, rehearsal and collaborative review. AI can assist with routine planning, while creative decisions remain with the people making the film.
The aim is simple: give productions more freedom to experiment before the shoot begins.
Scene Vision is currently in development.
Visuals combine working prototype material with concept visualisations of the intended workflow.